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PlayGround
playground this is the play ground
Manuales
- Conociendo Usine
- Manual de Usuario
- Guia de referencia de módulos
- Pack de Sintetizadores por Nay-Seven
- Pack de utilitarios midi por bSork
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Tittle 2
Tittle 3
Sub Tittle
Tittle 2
DokuWiki supportsCode bold text like that, italic, underline et fixed space.
of course you can combine all of them.
Title 3
in the box
- ♥ List 1
- ♥ list2
the tittle
orange box 100%
the tittle
note !
foot
note ! please visit the following link http://www.sensomusic.com
important !
very important
tuyau !
bloquante !
Test me
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- test
- test
hello
Hello 1).
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| left | center | right |
| qmsldkfj | jaqmlsk | msldqkfjqsdmlkf |
Columns
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| by vivens Simple midi “wavetable” synth, 2 osc, filter, pitch. Just open two samples from your old synth collection or whatever, adjust pitch and startpoint (I have deleted fxs, soft distortion and delay could make it more old school synth). There is no ADSR and loop yet, to be continued… feel free to tell me how to… |
list
table of content
Senso aka Olivier Sens
Electronic Music, Doublebass
Olivier Sens, en version française
6 years old when he began to learn music at the piano, it wasn’t until the age of 18 that he chose the doublebass. Dave HOLLAND, Palle DANIELSON, and Bernard CAZAURAN were his mentors.
Discovered in 1992 by Henri TEXIER, together they worked on several training programs. He has played with, Malo VALOIS, Aldo ROMANO, Daniel HUMAIR, Louis SCAVIS, Michel PORTAL, Richard GALIANO, Stéphane GRAPELLI, Philip HARPER, Gary BARTZ, Antonio HART, Garry THOMAS, Rich PERRY, Chris POTER, Jon GORDON,Bojan Z,etc.
In parallel he has been developping his activites in electronic music, after having followed specific study courses, he developed his own and original computer program called “Usine” which is used to manipulate treatments in sound. Using this program alongside the doublebass and electronics in solo performances.
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Rever se
- Olivier Sens(computer)
- Guillaume Orti (sax)
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For a few years now, Olivier Sens and Guillaume Orti have been putting their thoughts together. One of them develops his own software while the other one merge special techniques. Their repertory is made up of a series of pieces, each of which implies a specific mode of interaction between an acoustical source (saxophone) and electronic treatment (computer). It’s a means that leads the duo down the meandering path of free improvisation, compositional synopsis and electro ambiance. The computer, given listening elements, often acts by itself. The ensemble produces a sound where acoustical and electronic elements mix and complement each other. We’re not talking about electro-acoustical music in the contemporary sense, or electronic music in the modern sense, but a hybrid object combining these two worlds. Not severe and not simple, this music appears as a possible synthesis of opposite worlds.
Mixed by Gilles Olivesi
Usine
movies
TESTING FOR PRINTING PURPOSES
24dB/Oct LP, HP
24db per octave Audio filter: Low pass, High pass.
in
Audio input.
out
Filtered audio output.
freq
Filter frequency.
type
Filter type:
- Low pass: only passes low and filters high frequencies.
- High pass: only passes high and filters low frequencies.
Additional Audio Input
Entrada adicional de audio. Permite la creación de parches con múltiples entradas. Por ejemplo, un parche que transforme dos (ó más) fuentes de audio al mismo tiempo.
Additional Audio Output
Additional audio output. Allows creating multi-output patches for extended surround projects (more than the basic 16 outputs per track).
output
Output virtual device.
L,R
Audio flows to send to the output.
gain
Gain applied to the audio flow.
name
Name of the selected output.
Array (set or display)
Displays or sets values of a data array and shows values in the Patch Control Panel.
To reset values use the [ctrl] key.
To shift values (left or right) use the [shift] key.
Size
Number of values in the array.
1)
where do you live?